| Re: Untitled by Sugarbbybuttrfly |
24-Dec-02/12:20 PM |
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i went to your homepage. i think i love you too.
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| Re: Rewrite of a goof poem. by INTRANSIT |
24-Dec-02/6:00 PM |
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| Re: corners by rockinindividual |
24-Dec-02/7:48 PM |
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| Re: House of the Risen Son by livingcanvas |
24-Dec-02/7:52 PM |
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| Re: Faucet's got a nasty drip. FUCK! Not again! by <{Baba^Yaga}> |
24-Dec-02/7:52 PM |
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| Re: On the death of my Grandmother by BEBO |
24-Dec-02/7:54 PM |
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bastard, have a 9 very grandma..
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| regarding some deleted poem... |
24-Dec-02/7:56 PM |
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shit last line killed it for me, i would give you some suggestions, but you're beeter than me...pee. blue peter,badge right back atcha.u
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| Re: bitterness to tenderness to endlessness by Crakyamuni |
24-Dec-02/8:05 PM |
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Golden Q-tip award. spectacular read. bullit. poemranker must read. congrasulations. merry christmas.
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| Re: mystery by jlanza |
24-Dec-02/8:08 PM |
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take out the very last line and this would be perfect. seriously this was a pleasure to read. merry christmas.p
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| Re: demiurge by crin |
24-Dec-02/8:09 PM |
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haunting. ghost-trains-rock.a
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| Re: How? Well... by RWAndersen |
24-Dec-02/8:13 PM |
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this was like a tool show with a moral lesson on a christian cable channel. nice sentiments though. it was like playing ping pong with the lollipop kids in the wizard of oz back forth, back forth. 6.o
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| Re: Little Johnie's Jihad by <{Baba^Yaga}> |
24-Dec-02/8:13 PM |
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| Re: Eternal Sleep by Artificial_Sweetner |
24-Dec-02/8:15 PM |
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jesus stacy settle down, it was only a blow dryer and some nail polish. put the KNIFE DOWN! nah go head.l
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| Re: plain by blackball |
24-Dec-02/8:34 PM |
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you might want to think of editing this a bit more up and down, or do it dada, something...you know what i'm saying?.6m
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| regarding some deleted poem... |
24-Dec-02/9:29 PM |
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| Re: Doped Up Dr. Seuss by smlink84 |
25-Dec-02/7:17 PM |
wow. strong ending. i think you need another wait for 'an' emotional balance to the overall piece of
<shit>
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| regarding some deleted poem... |
25-Dec-02/7:24 PM |
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last stanzas a bit shy of thee other two. still a great piece regardless. shame a fish monger would never get it. it must be only meant for the powder wigs.
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| regarding some deleted poem... |
25-Dec-02/8:07 PM |
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the sad thing is, why would you choose this actress/models name? what's wrong with your name? your face? your dreams? you're in your twenties. she's not. And as far as talent goes you could of been much more selective. no wonder i didn't know who in the fuck you were talking about. She's the italian version of america's pamela anderson. congradulations you're either a gay ugly fat man with a lopsided mustache.Or, a young moderately beautiful sybarite who loves rubbernecking, or just another psy-chic vampire sycophant...Freud could better evaluate your condition over flap jacks. i on the other hand am not amused nor propelled to give it shit. To bad you weren't her. the conversation might of been interesting.f
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| regarding some deleted poem... |
25-Dec-02/8:54 PM |
Strider-1(8)
U.S.A.
Date: 18 December 1999
Summary: Sybil Danning is incredible in "The Face to Face" episode
Sybil Danning, Playboy Covergirl and 80's Sex Symbol shows her talent in an episode
called "Face to Face" Her incredible body is displayed in it's mighty splendor as she plays
the girlfriend to Robert Vaughans careless, arrogant, and irresponsible plastic surgeon
who ends up mutilating his patient due to his overindulgence in drugs and sex with Sybil
Danning. Sybil said in an interview that her sex scenes were so hot that Robert Vaughan
had to be replaced with a stunt man. However this priceless footage was edited out for
the episode. Anyway the moral of the story is that when you do something bad, you
always end up punishing yourself in the end. Needless to say Mr. Vaughan's character
winds up with a taste of his own medicine. ??
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| Re: One Country by poetandknowit |
25-Dec-02/9:24 PM |
HOW KEEP DARK AND PATTERN OFF
How keep dark
and pattern that any man suffers
off--at the wall, at where the hat
comes out of the maroow & yawns--
how keep head up the scream
& up the burial where the pattern is born--
how the leagues washing their hearts
& wrung dry only to sponge back up--men
smooching mirrors--blades honing--
tongue & eyelash of Sweet Thing
staggering the shape by the door in the baggy shadow--
how keep dark back?
Or should one bullet-forth, sleek-clothed or naked-- pierce
each entity--each clock--sharpened by art
or wine--how
enter the needle, the cloth--
how take the pattern any man suffers
and lose nothing when you
rip it off.
Stan Rice, Some Lamb 1975.
[editor's note,by horus8]here something else for you and gardel's tango don't let your pride turn your heart to the drink on the mirror to the lines in the glass dusting hollow, i'm indifferent, you're not.
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