Re: Abba by oneglove |
14-Nov-05/3:53 AM |
As if you needed proof of God's existence, the first initials of the band members in ABBA (Abagail, Brian, Bjorn, and Agatha) actually spell ABBA.
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Re: Bread and blackthorns by Caducus |
14-Nov-05/9:55 AM |
"Imprisoned from my ribs"?
I'm sure you have an explanation why you used "from" rather than "in" or "by". I'll save you the trouble. It doesn't work.
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Re: Math Poem 4 by Dovina |
15-Nov-05/12:57 AM |
Take off that silly cape and stop flapping around Alpha Beta. You're not in Narnia. It's getting embarrassing to be seen with you in public.
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Re: Two Mirrors by Dovina |
15-Nov-05/2:14 AM |
I just realized: Two mirrors exactly facing each other don't reflect anything.
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regarding some deleted poem... |
15-Nov-05/9:37 AM |
Cute. Is vignette the right word? I mean that honestly; I don't know or have the computing power to check. I would have said epigram.
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regarding some deleted poem... |
15-Nov-05/9:49 AM |
Good rhyme, good rhythm, good lyricism. Nice that you've gotten those images out of the way. Now you have no excuse for using them again.
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Re: Beneath the Willow Tree by cyan9 |
15-Nov-05/9:50 AM |
A very good movie summary. I'm guessing Phenomenon?
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regarding some deleted poem... |
15-Nov-05/9:52 AM |
This first stanza is the best of what you've posted here.
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Re: Us Sinners by BrandonW |
16-Nov-05/5:25 AM |
Question: Do you believe that if she is in heaven alone, she's unhappy from loneliness?
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regarding some deleted poem... |
18-Nov-05/10:11 PM |
Calls to mind Wordsworth, maybe Byron. Seriously.
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regarding some deleted poem... |
18-Nov-05/10:12 PM |
Good writing, but nothing new. All of these rhymes have been used in other poems about fairies.
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Re: Gerry's Song by ALChemy |
18-Nov-05/10:15 PM |
Nice. The second-to-last line tripped me up, but for a poem meant to be read in the accent of Groundskeeper Willie, that's no biggie.
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Re: soon i will travel by ay deee |
18-Nov-05/10:16 PM |
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Re: A daisy chain for Nina by Caducus |
18-Nov-05/10:30 PM |
Here is a story I never told you.
Living in a rented house
on South University in Ann Arbor,
long before we met,
I found bundled letters in
the attic room where I took
myself to work. A young woman
tenant of the attic wrote
these letters to her lover
who had died in a plane crash.
In my thirtieth year with tenure
and a new book coming out, I read
the letters in puzzlement.
She is writing these letters to somebody dead?
There is one good thing about April.
Everyday, Gus and I take a walk
in the graveyard. I am the one who
doesnât piss on your stone. Oh, winter
when snow and ice kept me away.
I worried that you missed me.
Perkins, where the hell are you?
In hell;
Everyday, I play in repertoire
the same script without you,
without love, without audience except for Gus
who waits attentive for cues like
a walk, a biscuit, bedtime. The year of days
without you in your body swept by as quick
as an afternoon. But, each afternoon took a year.
At first, and most outright, I daydreamed about
burning the house, kerosene and pie plates
with a candle lit in the middle.
I locked myself in your study with Gus,
Ada and the rifle my father gave me at twelve.
I killed our cat and our dog and swallowed
a bottle of pills knowing that
if I woke up on fire, I had the gun.
After you died, I stopped rereading history.
I took up Cormick McCarthy for the rage and murder.
Now, I return to Gibbon, secure in his
reasonable civilization, he exercises detachment
as Barbarians skewer Romans. Then, Huns
galloped from the sunrise wearing skulls.
Whatâs new? I see more people now.
In March, I took Kate and Mary to Pierreâs.
At the end of the month, ice dropped to the
pondâs bottom and water flashed and flowed
through pines in Western light.
The year melted into April
and I lived through the hour we
learned last year that you would die.
For the next ten days, my mind sat by our bed again
as you diminished cell by cell. Last week, the
goldfinches flew back for a second spring.
Again, I witnessed snowdrops worry from dead leaves
into air. Now, your hillside daffodils edge up and
today, it is a year since we set you down at
the border of the graveyard on a breezy
April day.
We stood in a circle around the coffin
and its hole under pines and birches to lower you
into the glacial sand. When I dream,
sometimes your hair is long and we make
love like we used to. One nap time,
I saw your face at eighty with many lines,
more flesh, the good bones distinct.
It is astonishing to be old. When I
stand after sitting, I am shocked at how I must
stretch to ease the stiffness out.
When we first spoke of marriage,
we dismissed the notion because you would
be a widow twenty-five years or maybe I
would not be able to make love while desire
still flared in you. Sometimes now, I feel crazy
with desire again as if I were forty,
drinking and just divorced. Ruth Houghton had
a stroke. Our daughter sent me the album of the photographs Roger took in his documentary âPassionâ.
Inside and outside our house,
every room, every corner, one day in September 1984,
I howled as I gazed at that day intact.
Our furniture looked out of place as if
vandals had shoved everything awry.
There were pictures on the walls
we put away long ago. The kitchen wallpaper shone
bright red in Rogerâs kodacolor.
It faded as we watched, not seeing it fade.
- Donald Hall, about Jane Kenyon
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Re: i remembered by skaskowski |
18-Nov-05/10:32 PM |
No comma after "greed"; no period after "plight"; no comma after "cry"; comma rather than period after "try".
Oddly good.
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Re: rubble rooster by FreeFormFixation |
18-Nov-05/10:37 PM |
Tread along, tread along, tread along, yeah.
You're like a stick of macaroni in bed.
Eat the ritual food, my friend,
So that your macaroni will be steady in bed.
Bling-blabling-bling-bling!
- Bunny Wailer
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Re: Gerry's Song by ALChemy |
18-Nov-05/11:10 PM |
PS-I'm glad you're posting. I was afraid we'd scared you off it.
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Re: Amber's Witness by cyan9 |
21-Nov-05/9:15 AM |
My one suggestion is to avoid overloading your poem with adjective phrases (ie, "dwelling in the rust", "injecting the pathway", "ascending to the fire", etc.) Change almost all of them to other formulations, give it some grammatical variety.
I like that you use tons of great verbs in your poems - one of the great weaknesses of this site's users is verblessness - but by making them all -ing, you make them a lot more passive than they should be. Off the top of my head, I'd say make the first line "It dwells in rust that gilds the woodland floor" and go from there. No, that's not the best possible way to phrase that line, but it's heading in the right direction, and this isn't my poem to edit, anyway.
Suggestion #2: Consider dropping about half of the "the"s.
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Re: Due Consideration by Dovina |
21-Nov-05/9:51 AM |
Well, at least ignoring reason ignores any ways of determining whether you're better off unreasonable except the unreasonable ones.
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Re: Night song of Pattaya by Caducus |
21-Nov-05/10:04 AM |
"Masterpieces" seems an extremely poor word choice. Not only does it add nothing of significance to "painted", but "painted" doesn't add anything significant to it. They're not redundant, but they're the closest thing. And aren't these kids much more comparable to bagatelle or objets d'art, something cheap, mass-produced, and marketed for the poor unaesthetic masses?
Even better: painted-tin Virgin icons!!!
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