horus8
on Coldfront by klosterfobik
9 Sep 2004, 9:28 PM
Margh...
It's a lovesong MOTHERFUCKER. lol
Are you kidding?
Sorry so harsh, but you really need a lot of work!
When you'll find love?
mind if I go hurl in the next room.
YEUCH!!!
Shit you're bad. This is the most sappy stuff I've read in a long time.
Life without love is a life's loss?????
God. Look, Chef, why don't you send this dribble you cooked up to Chicken Soup for the Teenage Soul XXXVII. I believe they have an opening, as they always do, for shit that rambles, rhymes, and really means absolutely nothing. Go ahead. You're hurting the internet.
Aww. How distinctively pathetic.
Your Revealed feelings only prolongs the time till your heart is broken
once again??
What the fuck is that? I believe you meant "prolong" and not "prolongs." Actually, you might want to take that whole line out. Or maybe you want to take the whole stanza; it adds nothing to the poem. Actually, just take out the entire poem. It adds nothing to this site.
Jesus. You are sooooooooo good. It just amazes me. The beginning of nearly every line with "I" provides a sense of continuity that more than makes up for the disjointed yet comfortingly predictable lines. It is hard to believe that this is the work of an adolescent struggling to keep it together.
A well deserved 10
HAHAHAHAHA
Fooled ya, didn't I.
No. Sorry. I was kidding. This poem sucks. I know it's hard to bear someone telling you that but it does. It reminds me of the soppy crap of my English teacher way way way back in my freshman year of highschool: Self-righteous, cliché, and about as articulate as George Bush while talking to the cop who pulled him over for drunk driving.
A well deserved 0.
RUN & HIDE
too long - too boring?
Linking means to adjoin,add,couple,fit together...so how is it not an "adverb"?
How about slippery past - or vitreous gone by?
Saying that it's open to interpretation is saying the obvious, whether you explain or not. To simply say you're not going to explain is to send me away wondering, unless you think it's so obvious I should know your meaning. Seems to me it needs a lot of help in grammar and clarity.
Going back to my original comment, I could argue that it was only that â a quickly phrased feedback to BigD on how the poem struck me. When you mentioned the âexcellenceâ of my distinction, facetiously no doubt, I looked again and realized I really had said two things in reaction to the poem, not just one, and quipped, âI'm glad you see the distinction.â Notice the two statements I made:
âMaybe a more descriptive title might have eased my misunderstanding,â and
âMaybe a more descriptive title might have eased my failure to know what you mean.â
Admittedly, the word âMaybeâ is not needed, so letâs just look at:
âA more descriptive title might have eased my misunderstanding,â and
âA more descriptive title might have eased my failure to know what you mean.â
When I said, âmy misunderstandingâ I was saying that I had an understanding, but it was wrong. But how could I have known it was wrong? Because I judged my original understanding of the poem to be wrong. I know that because I remember, but you could have known it too, just from the way I phrased it, and maybe you did. When I added, âmy failure to know what you mean,â it was a hands-thrown-in-the-air giving up on any more attempts to understand the poem. One reaction came before the other, neither very oafish in retrospect, and linked by the word âor.â So my comment, revised, is: âA more descriptive title might have eased my misunderstanding, then my failure to know what you mean.â Of course, I could dress it up with adjectives and allusions to the poetâs parentage.
I know what you're saying, but I'm not sure I agree. The argument boils down to the question of whether or not these two sentences are equivalent:
A. "It is possible that X is possible."
B. "X is possible."
Clearly B implies A - if B is true, then A must also be true. I also think A implies B, but you don't. My reasoning is that when you say something is possible, all you're saying is that you don't KNOW that it is false. If you say "It's possible that X is possible" then clearly you don't know that X is false, so you must think X is possible.
I have been thinking about this problem for some time, and that is the only sensible interpretation I can come up with. The terrible thing is that underneath all this fiddle-faddle is the royally obvious fact that all Dovina was trying to say was "A more descriptive title might have eased my misunderstanding." Perhaps if she had had the common decency to say that in the first place, we all could have avoided a lot of silly bother. Nevertheless, I would be interested to see what people think about this problem, viz. the equivalence of A and B.
1. Case A involves an incorrect understanding, and case B involves no understanding at all. It may be true that an incorrect understanding is as worthless as no understanding at all, but the distinction still stands.
2. I agree that Dovina manifests an undesirable degree of oafishness in her attempt to exhibit simultaneously two mutually exclusive alternatives .
Yes, yes, yes I considered that distinction shortly after posting the comment. In case A it is also the case that you don't know what that person means. So "misunderstanding someone" implies "not knowing what someone means". The converse is not necessarily true, because in case B you haven't understood anything at all, let alone misunderstood anything.
But Dovina says a better title would ease her "misunderstanding or failure to know what you mean". Think carefully about that. Dovina thinks it possible that she has misunderstood the poeme. It would be oafish for her to think that unless she had assigned some meaning to the words. This rules out the case in which Dovina had merely "failed to know what the poeme means without misunderstanding it".
Cunny-sexer.