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CommentsComments 8281–8300 back. Include replies to comments

You have validated her work in my opinion.
amanda_dcosta on THE NIGHT STAGE by anushree 16 Jan 2006, 9:36 AM
Not quite specific and structured as your previous piece. Somehow the punch is missing.
<~> on some deleted poem 16 Jan 2006, 9:07 AM
this is lovely. i like the way you reversed the language in S2.
zodiac on Racism 3 by Dovina 15 Jan 2006, 4:10 PM
They did, didn't they? Add a stanza: How is what she thought TRUE?
To answer your title question, no. It would help to get the grammar right; but even then, I don't see that it makes sense.
This is a poem I wrote last year (21st Jan), while on the train, on my way to my Grandma's funeral. Her name is Pearl Heldt, and she was such a wonderful person to me and my family, and it was with deep sorrow and gratitude that I wrote this. You might find a lot of portions need editing, but I have kept it this way, unedited, due to the fact that I wrote it spontaneously, within 15 - 20 min. for her. All the same, critiques view is welcome. We will be celebrating her 1st death anniversary on the 20th Jan. May her soul rest in peace.
amanda_dcosta on some deleted poem 16 Jan 2006, 1:43 AM
Hmmm, now what do I say? Is this from real life experiences that have had a beautifully, strong outpouring of love being described? Looks to me like it is. I'm quite impressed by the choice of comparitive characters. By the way, where's the reference to " Naked Gods" that dovina has pointed out to, or has this piece been edited? ( Sorry Dovina, am not trying to point out anything against you.)
ecargo on Racism 3 by Dovina 15 Jan 2006, 9:56 PM
I like this better than the others--a little more oblique but more effective for it. "Two became one flesh" is a cliche; might want to recast in more original words. Maybe start off with a stronger word than "It"--what hit like an asteroid? Stands in for the real word, which is always less direct and, thus, effective.
pollywolly on Racism 3 by Dovina 15 Jan 2006, 2:22 PM
this is really good, i read this first then pt2&1 and prefer this. the opening is powerful and makes you want to read on while this powerful message is drawn to the end in same way. very blunt language used to good effect. well done
ecargo on some deleted poem 15 Jan 2006, 9:52 PM
A nice lyricism to this.
ALChemy on Racism 3 by Dovina 15 Jan 2006, 2:43 PM
Is this the one where you fight Mr.T? Gettin' better.
Dovina on Whenever Forever Is by Enkidu 15 Jan 2006, 8:13 PM
This is good,but I think present tense would be better than dodging, drinking, ratioining, etc.
Dovina on some deleted poem 15 Jan 2006, 8:16 PM
Do you mean "snowflake"? I like leaflorn. I think the semicolons can go.
Dovina on They Knew Me From Adam by D. $ Fontera 15 Jan 2006, 8:18 PM
When you use a twist on a cliche in your title, I expect to find some allusion to the cliche in the poem. I like the third verse.
ALChemy on some deleted poem 16 Jan 2006, 3:09 AM
Change "moulded" to something like welded or fused. Moulding doesn't work that way. Mould means to cast. Did Egyptian gods knight people? Did you know Lucifer and Venus are the same celestial object? Aphrodite and Venus are pretty much the same goddess. Still it sounds very beautiful.
Dovina on Reap by ecargo 16 Jan 2006, 6:10 AM
I see a rural harvest time in a hollow, but miss the point, if it's more than that.
Dovina on Green things by ecargo 16 Jan 2006, 6:24 AM
I'd rather you did not delete the comments when you make a revision. If you make a major revision, like this one, it seems better to post it as a new poem. Better than the first.
amanda_dcosta on A LOVER’S TORMENT by anushree 16 Jan 2006, 9:32 AM
Very beautifully worded. may be a bit forced, but on the whole you could justify your choice of words. Your presentation of the theme is what stands out. Good work.
<~> on Green things by ecargo 16 Jan 2006, 9:35 AM
"none to straddle worlds or shoulder skies." is a great line. "We break us like ice;" is unclear; what do you mean by this?
amanda_dcosta on A SURREAL DEPREDATION! by anushree 16 Jan 2006, 9:42 AM
Sorry, but I am unable to connect with this poem. Phrases are good, but somehow it doesn't balance on the whole.