Free verse № 60023
Sagadahoc to Hudson
Devising this fervid affair
worthy of a scene in a John Irving book,
weâve pretended all the while
we could not stop this:
the finality of this rocking Greyhound bus,
each mile lumbering nearer to
our impending fate as adulterers.
Though we both know, (married 6 plus years):
We simply bore of monogamyâs monotony.
I climb the textured stairs
locating a window seat
where I can lean my pillow
against the moist draft,
my cash and weed tucked
securely in the pillowcase.
It started so innocently,
you getting my email address
from the alumni office,
us talking about schools, jobs, partners, children.
Dawdling passengers at the station
delay the bus while I shake my left leg of impatience
checking my watch as the bus groans tardily from the lot.
Eventually, our subjects changed,
we shared mutual complaints about partners
who donât âgive it upâ enough.
Finally, we are gliding over the interstate,
the glow of streetlights far behind,
the occasional trucker coasting by
this public sleeping place.
The conversation reminded us
of the joy of our past casual sex,
our deviant positions.
I check my legs to see that they still are smooth
from my careful job of shaving, lotioning,
my clean thong and bra wait in my carry-on bag
until the moment of arrival when
I will endure the stench of blue chemical flushing agent
in the midget-sized, wobbling restroom.
This âloveâ, so inconvenient,
two poor people living on opposite oceans,
yet now weâve constructed the chance of a year,
a 14 hour layover en route to your solo work conference.
We stop, and stop, and stop again
at Greyhound terminals in every nook of New England.
I stay on board, glowering at sleepy passengers
who get out to buy mushy vending machine pastries
and coffee that reeks of being on the burner too long.
The bus was the best price,
ninety dollars, round trip,
from the Sagadahoc to the Hudson,
Iâd have to cover my heightsick eyes
over each river in between.
Then we are halfway there.
Connecticutâs arrival is announced by
arduous potholes which jolt the bus,
arousing sleepersâ startle reflexes.
Once we gave up pretending to be reluctant (faithful)
we resolutely selected the date of a conference for you
around my period, for maximum oral possibilities.
Then there is a faint smell of smoke,
a feeling that the weâve ceased to accelerate,
I look up from my Kama Sutra book
expecting yet another stop
but see only the blackness of highway,
feeling the bus pulling onto the uneven shoulder.
The bus driver turns on the inside lights,
and makes his regretful announcement,
not seeming nearly surprised enough.
Fellow passengers squint and groan,
pulling out cell phones irritably,
I stare, mournfully, past my reflection
through the tinted windowpane
as southbound carsâ taillights disappear
down I-95.
24 comments
On a positive note, I really enjoyed this, and I think poetandknowit has a challenger in the poetry/prose arena.
Anyway, there is something called a "startle reflex"- it is what makes babies spread both arms suddenly, so it is not that the passengers have startled reflexes, the jolts have aroused their startle reflexes (like when you are sleeping and think you are falling- My startle reflex always goes crazy on bus travel).
As far as oral possibilities go, oral is the only kind of sex that would be hindered by a period, don't you think? These two would definitely have all other forms of intercourse in spite of period blood. Thanks for your compliments, too.
I think it's important to wonder at your own brashness, your overtly erotic life. Slash away at the lies about sex and loving, but lines like
...oral possibilities...
...regretful announcement...I mean these same lines are in a poem about sexual objectification, and exploits of the nasty kind. These lines are too shy and nerdy for this poem. Don't be shy, just write it.
"Fellow passengers"???????? Do you speak this way to your friends or at home?
"And then, my fellow passengers broke out in song"
arduous potholes which jolt the bus(this line sounds convoluted)
If I were at home, I would be calling my "fellow passengers" my "fellow proletarians, who are gonna rise up and start a revolution"- I am very into this "fellow"ship of poor people (see "Performer" in archives- a completely TRUE story not unlike "my fellow passengers broke out in song").
God's wife, is it really so unsalvageable in its present form? Would it help the raunchiness if she packed the "Morning After" pill? Damn, this poem is driving me crazy. I felt sure you'd have a few quick fix suggestions!
Let me think.
In the eleventh stanza, you create this fabulous rythm in the first 3 lines;
The BUS was the BEST...
NiiiiiinTee dollars, RUOOOOOOUUUND trip.
From the Sagadahoc to the Hudson(great sounding line, really top-notch, and it's the Title, perfect)
and suddenly I'm dumped into the cold river of
I'd have to cover my height sick eyes.
First of all, what is, and why, a Heightsick? It's an obscure image/reference, but most importantly, it's an ugly-sounding word. Find a substitiute, get back in the flow.
Stanza 12, you don't need the word "then" at the beginning. At this point you're reminding yourself of the details, but the audience is distracted by unimportant things, like the word "then", it explains to YOU a sequence, but to the reader it just bores him, breaks up the rythm... well theres just no charm to it. Maybe that's just a personal thing.
I'm glad you think the bus just absolutely had to breakdown. Now think about why she couldn't stop it herself? Why did fate have to intervene? One reason maybe because sex is a force of its own. Now explain that to me, how the bus saved her because she would never be able to save herself. the thing is, you have to tell me the truth, your very own truth.
There is no quick fix here. You are old enough and experienced enough, good mother, to really explore. But on your boots and pack your knife, confront the fucking beautiful tragic reality of being human. It may take time, but you'll come back intact, and ready to tell me a story.
Don't make the poem unsexy, even if in the end you come to the revelation that a good fuck isn't worht all the turmoil and guilt. "It's harder to justify this kind of affair" vs. being caught up in passion? Neither has nor needs a justification. They just are. Our inner life is so complicated we do many things we cannot later explain, we shouldn't pass judgement, I think. Try writing it completely bare-boned and see what it look likes. Got to go I'll be back in a few.
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