I'm not a big fan of rhyming in free verse...some can do it and do it well, but for most people it just keeps them bound. Why not try writing what you want to say without the rhyming scale.

I am a big fan of rhyming free verse, but think you might
(1) enjamb more, like you did well in the first three lines of the fourth stanza,
(2) not use "amidst" for something singular like "tide",
(3) scent's, not scents',
(4) tighten up your message and phrasing just a little.

Welcome to poemranker!

Excellent Flow (not quite water tight) and the image of the pull from left to right was intensely and clearly put. I dont think I needed to hear the last two verses though, and I think it could end on "calling me back to do repair".

For now I'll just analyze the first stanza and then you can see if you can identify any possible flaws in the others.
You should lose either "Going" or "I travel" as it is restating the obvious and is obviously a space filler.
"Home" is also unneccessary. Change "packed" to over-packed. It will intensify the crowded feeling.
Say "In the middle of a changing tide" This will emphasize the double meaning as being mid-event tide and mid-location tide. Say outstretched instead of "stretched out" to avoid your adjective being confused as a verb.
So now we have:
Traveling to class and back
on a boat that's overpacked
in the middle of a changing tide.
Land outstretched on either side.

Now you have room to add:
Traveling the hours to class and back
on the bow of a boat that's overpacked
in the middle of a changing summertide.
Land outstretched on either side.

You also get some enjambment this way.

You have great rhythm and flow but you need to maximize as much effect into each line as you can to hold an ever-distracted modern audience's attention. So write like 3 or 4 versions of the same poem before you settle.
Now if only I can get myself to listen to my own advice more often. -8-