Free verse № 123288
Homecoming
I lie beside him in the bed
and feel his breathing slow
his years and gray still bright
mine fading as the night
Until his morning hand
reaches and Iâm gone
nothing will have changed
his mind at rest
my body too
Just a short walk
an errand really
yes, an errand
Out the door
down the stairs
Why was it
I left the bed?
If I think only this well now
and worse with time
how can any other walk
be love?
Itâs kinder now
before the worst
with sense to act
his courage strong
Del Mar Street
still too close
a few more blocks
then stand and wait
Canât quite remember
why I came
or exactly where I am
only that itâs time
Those headlights
yes, itâs time
two quick steps
the lights of home
17 comments
I read the last stanza two ways. Morbid me.
Messing up autobio's because of muddled feelings intervening? That's an odd thing to say. Don't you realise that the last stanza may not only paint the picture as it is, but at the same time reflects your feelings, your wish that the person dear to you had made a different choice, or choices?
I left the bed?'
This one is another example. For this I read Blandness. She keeps looking for the man who isn't nameless, whose face does not blend into all the other faces, she can't find him and that depresses her. Now how was I to know you meant d.m.d.?... Stanza 5 gives the answer. And I overlooked it. Which means that you wrote a strong poem that requires more than just a superficial reading. That's true poetry, I think. It acutally deserves more than the 7 I gave it.
No it's not. To take one instance (of many), I'm currently reading T.E. Lawrence's memoir Seven Pillars of Wisdom, where he strains himself trying to make Bedouin bumming sound healthy. Talk about feelings getting in the way!
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