Free verse № 31941
Brackish
Looking out, I see but take no notice
that the house lights cast yellow shafts
into the blackened yews beneath my windows.
From the warmth of my doorway,
I hear a scurry,
and slight steps fade
so I strain to see tonight's invader;
I step out.
Perceptions shift.
Denied my eyes as they adapt,
I breathe fog that stops
not far from my face and evaporates
in the dry December night.
Once I dreamt that I could harness the coldness of this light,
and the lacy crunch of pocked dirt brittle underfoot,
honeycombed with sharpness unseen in sunlight.
I collected, in a greyed bouquet, plumes of oatgrass
which billowed like sudden ghosts on their broken stems,
and held aloft, my standard, my talisman.
Tonight, they pit my path with shadowed voids,
and, unchecked, softly startle as they loom before me.
I could sprain a joint falling by,
in those holes dug with moonlight.
I lean to the whisper of the reeds
as the wind wanders through my backyard marsh.
Dwarfed and screened by the tallest of these,
once again, it is all new,
like it was thirty years ago,
and I, Explorer, push into the unseen.
I listen for my quarry, lost in the tract before me.
In my naivete, I'd capture him, and stroke his silky coat;
but I have learned
that to bring the outside in
kills it.
I feel a frugal wisdom in this chill,
and pity is a word not uttered or even understood
in this unsilent night.
I wrap tighter and freeze,
tread deeper to seek the secrets
of the blue-lit labyrinth,
pathed by feet surer and smaller than mine.
I know there is a center.
There must be.
But for now, I turn back.
19 comments
S1: If you see, aren't you taking notice? (Do you really have yews? Not a tree I see a lot.) Is it really a slither you hear? Not a scurry or a scamper or something less "slitherous"? That's such a reptilian word, not one of furry beasts on cold, dry nights.
S3--what is the suffering unseen in daylight? I don't think a crunch can be lacy, though the dirt can be. Love honeycombed.
S4: s/b "bouquet." Like the oatgrass. Don't think "ethereally" works--actually, I'd drop the line and leave the stalks standing unaugmented. Also, "another night" seems to cry for a "but not this night." Dancing in the drought--meh.
Blue-lit labyrinths draws me in, but I don't think it needs the center so explicitly. Pare, prune, tighten.
lacy crunch of pocked dirt brittle underfoot
all inversion: brittle crunch, lacy pocked dirt, but so obvious to word them that way.
i turn back.
Because, we know you're there (home) from the begining...and i'm really prejudice lately against the turning towards home at the end of a poem...i love you regardless though, and believe in your writing with or with out. It's just my insecurities breathing down my mullet.
yeah. my wall poem led toward home. WTF? i'm not feeling like i have a home these days. all my happy, satisfied poem-protagonists are wishful thinking. see, i'm getting geared up for the new year--worst night of the year. best place to spend it is in the bath. bah humbug.
thanks for the suggestion. i changed it to how it should be. please vote again.
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