Thanks for the advice. I do try to keep my poems as concrete as possible nowadays, having been brow beaten by some of the most tangible poets (or, I should say poets of some of the most tangible poems, although the men themselves were also quite corporeal), I have been relegated to write with the most concrete, or as you would say, undisconnected formulation as I possibly can achieve without the advocacy of reality-anchoring drugs. You should have seen some of my earlier work: barely a word of English ever even appeared, and one of my poems included an actual (and quite foul smelling, I might add) corpse of a deceased armadillo. If I remember correctly, it was immediately follwed by a semicolon in that particular poem.