ecargo18 Jan 2007
I've read this a few times. I like the story telling aspect of it, but at points it gets wordy and the story itself is a little thin as told. In order for a straight narrative poem to work, I think the story needs to be stronger--a ballad form would suit this (okay, maybe it just made me think of "The Wreck of the Edmund Fitzgerald" by Gordon Lightfood, for obvious reasons, but I think that's a good illustration of why that song/story works--the ballad form, the interesting language, the ship's backstory, etc.).
I think part of the problem may be that there's no one to connect with--if you read, for example, Zodiac's poem about Cook dying, it's the people in the poem that really make it work; we identify with the dying Captain, the native girl. This lacks any such personalization/identification. Even something like "The Wreck of the Edmund Fitzgerald" connects us with the ship by making it something living--maybe it's the focus on the rats that doesn't work for me here. The prologue seems unnecessary, tacked on; doesn't advance anything, IMO, and isn't really ever followed up in any way. In general, too, this gets a little too anthropormorphic for me (the glad rats, the amiably sailing ship).
I think the story telling is pretty good, though could use some paring. And I like the last line--the "fatted rats" suggesting, intentionally or not, fatted calves (a sacrifice) and "gasping in the open sea" is a good line and image.