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YOUR OWN PLEASURE (Other) by Zoe

A pleasure whose origin is to be placed outside us and in objects whose presence we cannot be sure of; a pleasure therefore that is precarious in itself, undermined by the fear of loss. —Michel Foucault I search for you in the city I search for you in the city, scan each face I pass, note each tree scan each face I pass, note each tree. I scan for you in the pass, note each city; I search each face in the tree. The bright shop window you’ll see, the bright shop window you’ll see with her: it’s strange that you’re so close with her: it’s strange that you’re so close The bright, her window; strange that you’ll close with its shop: see that you’re so. When it grows dark: the streets when it grows dark; the streets are a mass of bodies, lights and cars are a mass of bodies lights and cars. When the bodies a-mass, dark cars are it: the streets of grows and lights. You exist somewhere without; you exist somewhere without me in the heaving mess: me in the heaving mess. Me somewhere. Exist heaving. You in the mess without. I stop to buy a newspaper; I stop to buy a newspaper. Long columns of words remind me; long columns of words remind me. Me? I long to column a newspaper, stop to remind: buy of words. Long, striped fields outside Vienna, long striped fields outside Vienna; seen when I flew home early, seen when I flew home early. Long seen fields when Vienna flew; I striped home (outside early). You were to follow, but then— you were to follow, but then like now, something snapped inside me: like now, something snapped inside me. You follow now to inside, like me, but then you were something snapped. I foresee you alone: I foresaw you. Strange that you’ll close seeing field, word, light; heaving field, word, light. Long seen words snap alone: I am the fields that you light.

zodiac 6-Dec-05/1:40 AM
Paradelle?

'Billy Collins claimed that the paradelle was invented in eleventh century France, but he actually invented it himself to parody strict forms, particularly the villanelle. His sample paradelle, "Paradelle for Susan" (c1997), was intentionally terrible, completing the final stanza with the line "Darken the mountain, time and find was my into it was with to to".

When Collins first published the paradelle, it was with the footnote "The paradelle is one of the more demanding French fixed forms, first appearing in the langue d'oc love poetry of the eleventh century. It is a poem of four six-line stanzas in which the first and second lines, as well as the third and fourth lines of the first three stanzas, must be identical. The fifth and sixth lines, which traditionally resolve these stanzas, must use all the words from the preceding lines and only those words. Similarly, the final stanza must use every word from all the preceding stanzas and only these words."'




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