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With You at an Ancient Temple (Sonnet) by Sasha

Some places were not meant for love. A shrine graced with pure roofless marble by the glade, as the sun lent us a columnar shade, helped us like rival ivies intertwine. Tourists flashed in to feel and photograph the unchanging statues, trying to ignore the two kids curled like shadows on the floor unseen by those stone gods. Long since I laugh in memory of pallid jealousy they masked behind bold gossip of “What is it with kids today?” with mere stone to admire. You’re what’s with me today, my dear, as we before the altar of our hearth revisit that blessèd blasphemy of our desire.

zodiac 26-Aug-05/5:07 AM
Weak answer: I dunno, just kind of strike me as stylized. You'll have to give me a day or so for the not-weak answer.

As far as accents, I look to Frost, whose more-or-less straight-up rhythmical verse is full of extra and dropped syllables (cf. Two roads diverged in a yellow wood.) I've never had trouble reading Frost's intended rhythm, and I wouldn't stumble on "blessed blashphemy" in a pentameter poem. At best, the grave's unnecessary for modern readers, I think.




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